

{"id":27699,"date":"2025-06-09T08:30:58","date_gmt":"2025-06-09T12:30:58","guid":{"rendered":"https:\/\/www.museumofplay.org\/?p=27699"},"modified":"2025-06-09T08:30:59","modified_gmt":"2025-06-09T12:30:59","slug":"how-play-is-preserved","status":"publish","type":"post","link":"https:\/\/www.museumofplay.org\/blog\/how-play-is-preserved\/","title":{"rendered":"How Play Is Preserved"},"content":{"rendered":"\n<p>How do you use objects to capture and preserve a concept as abstract as play? For although play stands as a universal phenomenon, it is also a deeply subjective experience, which can look and feel completely different depending on the time, place and people engaging in it. How can anyone, much less an entire museum, adequately convey such a personal and imaginative experience through artifacts in a way that does play justice? In my time as an intern with The Strong National Museum of Play\u2019s Collections and Conservation team, this question has always been at the forefront of my mind and, when it comes to bringing the world&#8217;s largest collection of toys, dolls, games, and play items to life, teamwork and thinking outside the box truly go a long way.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-1-768x1024.jpeg\" alt=\"Curator Mirek Stolee and I assisting with large scale photography. \" class=\"wp-image-27700\" style=\"width:253px\" srcset=\"https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-1-768x1024.jpeg 768w, https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-1-225x300.jpeg 225w, https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-1-1152x1536.jpeg 1152w, https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-1-1536x2048.jpeg 1536w, https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-1-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">Curator Mirek Stolee and I assisting with large scale photography. <\/figcaption><\/figure><\/div>\n\n\n<p>Teamwork itself is always very useful no matter what you\u2019re trying to accomplish, be it at work, school, home or in a particular hobby. Having the help and insights of others can make an immense positive difference in achieving one\u2019s goals. What, then, does teamwork look like at The Strong, when staff are working to convey a sense of \u201cplayfulness\u201d in collections items? For one thing, no single individual, team or department ever works alone when developing an exhibition or preparing an item for display. While museums may sometimes appear to be quiet, static, and sedentary places, the reality behind the scenes is far more engaging and dynamic. Just as a wind-up toy needs many different gears and mechanisms to waddle around, so too do museums need many different professionals and perspectives to best preserve the personality of their collection items. This is especially true at The Strong, whose collection consists not merely of toys, games, and dolls, but also the myriad memories of countless people who have enjoyed playing with them in the past. Infusing these items with the life given to them by previous owners, as well as the vitality provided by present-day guests, is an all-hands on deck assignment: curators, conservators, exhibit designers, graphic designers, fabricators, and more all have an indispensable role to play in making displayed artifacts \u201cplayful\u201d again, and every aspect of a given exhibit reflects this collaborative process.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-2-2-1024x768.jpg\" alt=\"Assembling a new dollhouse in preparation for an upcoming exhibit. \" class=\"wp-image-27703\" style=\"width:253px;height:auto\" srcset=\"https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-2-2-1024x768.jpg 1024w, https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-2-2-300x225.jpg 300w, https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-2-2-768x576.jpg 768w, https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-2-2-1536x1152.jpg 1536w, https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-2-2.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Assembling a new dollhouse in preparation for an upcoming exhibit. <\/figcaption><\/figure><\/div>\n\n\n<p>The careful preservation and safe storage of an on-display Barbie doll, for instance, is dependent on the diligent work of the collections manager and the museum conservator, who themselves work hand in hand with curators in selecting the doll for exhibition, staging her display case for view, and thoughtfully writing her label text for visitors to read. The display case itself, having had its dimensions established by the exhibit designer and the collections team, is constructed by museum fabricators. Those skillful craftspeople then go on to build from scratch the entire surrounding exhibition environment: the Barbie dolls mount, interactive signs and stands, extra-big video game screens and controllers. These creations themselves are further dependent on the imaginative preparation of exhibition designers, who collaborate with all of the aforementioned team members, along with museum graphic designers, to forge from nothing a gallery space worthy of a playthings cherished memories. The pathways, lighting, sounds, colors, and sensations of the entire space are visualized and carefully planned in unison with a wide range of museum professionals to create a truly unique and intimately engaging experience, within which even the oldest items take on a life of their own once more.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-3-1024x768.jpg\" alt=\"Cataloging and accessioning board games. \" class=\"wp-image-27704\" style=\"width:253px\" srcset=\"https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-3-1024x768.jpg 1024w, https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-3-300x225.jpg 300w, https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-3-768x576.jpg 768w, https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-3-1536x1152.jpg 1536w, https:\/\/www.museumofplay.org\/app\/uploads\/2025\/06\/Pic-3.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Cataloging and accessioning board games. <\/figcaption><\/figure><\/div>\n\n\n<p>Even when considering all this inter-team collaboration, however, the collection items of The Strong still require a bit more creativity to truly shine as intended, and in achieving this extra bit of authenticity, one must always think outside the box. Indeed, when attempting to capture, preserve, and celebrate a playful object\u2019s life, play itself as both a personal and universal experience must always take center stage. For some objects in the collection, this means actually being played with, despite still being museum artifacts. The classic games of <em>Infinity Arcade<\/em> and the intricate machines of <em>Pinball Playfields<\/em> are all examples of collections items which have taken on a new, active life at play within the museum. For the items which can\u2019t be as seamlessly or safely interacted with by our guests, one must get creative. In my experience, even the smallest of details can help infuse a game, doll, or toy with an entirely unique sense of playful vitality. Sometimes, that means something as simple as leaving a promotional tag or sticker on the box of a video game; those who remember purchasing or interacting with their own copies can be taken back in time by those minor details and rediscover that exhilarating sense of excitement only a new game release can inspire. Other times, it means leaving the scribbled name of a previous owner on a displayed action figure. Although new generations may not have had their own versions of this figure to connect with, being able to witness firsthand the wear and tear of a much beloved toy imparts a fundamentally humanizing sensation to visitors, elevating this item beyond that of some stuffy and inaccessible museum artifact, and into one which relates directly to the sentiments and experiences of one\u2019s own life. In each of these ways, the collection items of The Strong do not merely survive but thrive in a dynamic new setting for all\u2014museum staff and guests alike\u2014to enjoy.<\/p>\n\n\n\n<p><em>By: Mark Walsh, 2025 Strong Intern<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>How do you use objects to capture and preserve a concept as abstract as play? For although play stands as a universal phenomenon, it is also a deeply subjective experience, which can look and feel completely different depending on the time, place and people engaging in it. How can anyone, much less an entire museum, adequately convey such a personal and imaginative experience through artifacts in a way that does play justice? In my time as an intern with The [&#8230;]<\/p>\n","protected":false},"author":79,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"7938,6911,7253,6809,8750,7725","_relevanssi_noindex_reason":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[52,369,368],"tags":[],"class_list":["post-27699","post","type-post","status-publish","format-standard","category-artifact-conservation","category-guest-blogger","category-research-fellow","entry","has-post-thumbnail"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>How Play Is Preserved - The Strong National Museum of Play<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.museumofplay.org\/blog\/how-play-is-preserved\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How Play Is Preserved - The Strong National Museum of Play\" \/>\n<meta property=\"og:description\" content=\"How do you use objects to capture and preserve a concept as abstract as play? For although play stands as a universal phenomenon, it is also a deeply subjective experience, which can look and feel completely different depending on the time, place and people engaging in it. How can anyone, much less an entire museum, adequately convey such a personal and imaginative experience through artifacts in a way that does play justice? 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